Independent distributor bringing exciting world cinema and alternate screen content to Australia and New Zealand

A Common Thread

A Common Thread

(M) Dir. Elonore Faucher, France, 2004. 89 min | Drama, Romance
When Claire learns that she is five months pregnant at the tender age of 17, she decides to give birth anonymously. She finds refuge with Madame Melikian, an embroiderer for haute couture designers.

A Ma Soeur! (For My Sister! a.k.a. Fat Girl)

A Ma Soeur! (For My Sister! a.k.a. Fat Girl)

(R) Dir. Catherine Breillat, France, 2001. 87 min | Drama
Elena is fifteen and diabolically beautiful. She is neither more futile nor more stupid than her younger sister, but she doesn’t realise that she is no more than an object of desire. And, as an object, all she can do is to be taken. Or be had. Indeed, this is the subject, the loss of girls’ virginity, which opens the door to tragedy during one summer holiday period. From the director of Romance, Anatomy of Hell and An Old Mistress.

A Tale of a Naughty Girl

A Tale of a Naughty Girl

(M) Dir. Buddhadeb Dasgupta, India, 2002. 90 min | Drama
Set during the time when man is about to set foot on the moon for the first time, this timeless tale of a young girl from a small Bengali village and her quest for an education speaks to a universal contemporary audience.

An Old Mistress

An Old Mistress

(R) Dir. Catherine Breillat, France, 2007. 104 min | Drama
A biting, dramatic period feature based on the 19th century novel by Barbey d’Aurevilly sees the young and dashing Ryno de Marigny about to marry the virtuous Hermangarde. But can he give up his mistress of many years, the tempestuous Vellini. Beautifully photographed and full of rich secondary characters, this intimate chamber piece is full of betrayals, confidences and secrets. Starring Asia Argento and Roxane Mesquida.

Anatomy of Hell

Anatomy of Hell

(R) Dir. Catherine Breillat, France, 2004. 77 min | Drama
After meeting a man in a gay nightclub, a young woman suggests that she pay the man to meet her over four nights to look at her “where she is unwatchable”. What follows is a series of sequences in which writer and director, Breillat sets out to prove that all men are, at their core, misogynists.