For anyone who has felt themselves change, but never disappear – a coming-of-old-age story that belongs to us all.
Triple award-winner at the Venice Film Festival’s Horizons Competition.
Dir. Sarah Friedland | 2024 | USA | 92 mins | Rated M
Amid the haze of fading memory and shifting desires, Ruth, a retired cook, quietly navigates her transition to assisted living. With grace, wit, and the enduring threads of her identity, she deals with her changing sense of self and her bonds with those who care for her. As her surroundings grow unfamiliar, something unexpected begins to take shape – what if we glow most warmly at the edges of memory?

Awards
Venice Film Festival 2024 | Horizons Competition | Best Actress
Venice Film Festival 2024 | Horizons Competition | Best Debut Film
Venice Film Festival 2024 | Horizons Competition | Best Director
Film Independent Spirit Awards | Someone to Watch Award
São Paulo International Film Festival | New Directors Competition | Best Fiction
Official Selection
Venice Film Festival 2024
Melbourne International Film Festival 2025
New Zealand International Film Festival 2025
Stockholm Film Festival 2024
São Paulo International Film Festival 2024
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“A film that finds unexpected warmth in the twilight of life… makes you see and feel the virtues of age without fear or anxiety”
– Observer –
“Empathic, insightful… one of the year’s best… illuminates the dignity in vulnerability and the persistence of selfhood even as memory fades”
– Director’s Club –
“A coming-of-old-age story, compassionate and clear-eyed”
– Chicago Tribune –
“Deeply hopeful… a film of beaming light and beaming people… touching, moving, and unique”
– Spectrum Culture –
“Radical in its quiet honesty, breathtaking in its dignified compassion”
– Little White Lies –
“Kathleen Chalfant delivers the sort of performance that feels at once utterly authentic and like the product of long experience”
– The Wall Street Journal –
“ A performance so precise and restrained … One of the most honest, heartfelt performances of this or any other year in motion picture history”
– Observer –







