Dir. Michal Aviad, (female director) Israel 2018 | 93 min | Drama
Life at work becomes unbearable for Orna. Her boss appreciates and promotes her, while making inappropriate advances. Her husband struggles to keep his new restaurant afloat, and Orna becomes the main breadwinner for their three children. When her world is finally shattered, she must pull herself together to fight, in her own way, for her job and a sense of self-worth.
“Working Woman is more than a feature that makes compelling drama out of workplace sexual harassment; it’s an excellent work by any standard, a subtle and insightful character-driven drama that will compel anyone who cares about the interplay of personalities on-screen.” – Los Angeles Times
“Without stooping to the uselessness of style, Working Woman makes its points simply by staying with Orna as she proceeds through stages of shock, humiliation, self-loathing, self-censorship, all emotions her husband finds difficult to understand and which the Bennys of the world rely on.” – Boston Globe
“The debate around sexual harassment is one many are having around the world, far beyond hashtags and press releases. Working Woman is a part of that global and cultural conversation, yet it never loses that personal focus of one woman’s experience.” – rogerebert.com
“Despite its surface-level placidity, the Israeli feature Working Woman unfolds like a psychological thriller — a procedural that, as it tightens its grip, captures how workplace sexual harassment slowly takes over one woman’s life.” – The New York Times
“This story of workplace abuse and its fallout could just as well take place in New York, Istanbul, Mumbai — or any other city. Orna is Everywoman. Like many other women in her shoes, she emerges scarred, but stronger and wiser.” – Washington Post
“Both performances are strong; Ms. Ben-Shlush is especially appealing in what might have been a clichéd role. If anything, Working Woman goes out of it’s way to play fair by making Orna insufficiently self-protective. All the same, she’s an innocent on the way to becoming a victim in an understated polemic that becomes an affecting drama.” – Wall Street Journal